Liszt - Piano Solo

Опубликовано 16 августа 2017, 11:00

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LISZT – PIANO SOLO
Liebesträume, S. 541: No. 3 in A-Flat Major 00:00
Études d'exécution transcendante, S. 139: No. 4 in D Minor, Mazeppa 05:46
Études d'exécution transcendante, S. 139: No. 5 in B-Flat Major, Feux follets 13:42
Études d'exécution transcendante, S. 139: No. 7 in E-Flat Major, Eroica 17:55
Études d'exécution transcendante, S. 139: No. 10 in F Minor, Allegro agitato molto 22:46
Scherzo und Marsch, S. 177: Scherzo 27:25
Scherzo und Marsch, S. 177: Marsch 34:07
All pieces performed by Giovanni Umberto Battel

Franz Liszt (Hungarian: Liszt Ferencz; October 22, 1811 – July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist and conductor. Liszt gained renown in Europe during the early 19th century for his prodigious virtuosic skill as a pianist. He was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Richard Wagner, Hector Berlioz, Robert Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin. As a composer, Liszt was one of the most prominent representatives of the New German School (Neudeutsche Schule). He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated many 20th-century ideas and trends. Some of Liszt’s most notable musical contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form, and making radical departures in harmony.

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