Mårten Lärka - Den sista skolan
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13 дней – 2552:13
Опубликовано 5 марта 2025, 21:45
"Den sista skolan" is a track from the album "Två dagar om året - Mårten Lärka spelar Stig Dagerman".
The lyric, by the Swedish writer Stig Dagerman (1923-1954), was first published in the paper Arbetaren in November 18th 1950.
Video production by Båpa, assisted by Banana boys and Joakim Brolin. Special thanks to Fredrik Fernlund for the pictures of Liv and Vidar.
Studio recording by Joar Sylvan at Tambourine Studios, Malmö. Mastering by Jonas Siöström at Dynamic Audio.
Bass, backing vocal: Lars Ohlsson. Drums, backing vocal: Martin Hellquist. Wurlitzer and Farfisa: Albin Johansson. Guitar and lead vocal: Mårten Lärka.
Over the course of seven years, Stig Dagerman published almost on a daily basis verse poems in the Syndicalist Arbetaren (The Worker). They were headlined Dagerman’s Dagsedel (Dagerman’s Daily Doses) and commented on current affairs. The rhymed poems were often bitingly satirical, but style and mood varied, and sometimes they became lyrical meditations on topics more far-reaching and general. Dagerman came to pen over 1,300 dagsedlar. In spite of his struggle with writer’s block related to other assignments (novels, articles), he was always able to deliver his verse poems. The unpretentious, short format, requiring immediate delivery, allowed him to be impressionistic and playful, fashioning rhymes as he saw fit.
The lyric, by the Swedish writer Stig Dagerman (1923-1954), was first published in the paper Arbetaren in November 18th 1950.
Video production by Båpa, assisted by Banana boys and Joakim Brolin. Special thanks to Fredrik Fernlund for the pictures of Liv and Vidar.
Studio recording by Joar Sylvan at Tambourine Studios, Malmö. Mastering by Jonas Siöström at Dynamic Audio.
Bass, backing vocal: Lars Ohlsson. Drums, backing vocal: Martin Hellquist. Wurlitzer and Farfisa: Albin Johansson. Guitar and lead vocal: Mårten Lärka.
Over the course of seven years, Stig Dagerman published almost on a daily basis verse poems in the Syndicalist Arbetaren (The Worker). They were headlined Dagerman’s Dagsedel (Dagerman’s Daily Doses) and commented on current affairs. The rhymed poems were often bitingly satirical, but style and mood varied, and sometimes they became lyrical meditations on topics more far-reaching and general. Dagerman came to pen over 1,300 dagsedlar. In spite of his struggle with writer’s block related to other assignments (novels, articles), he was always able to deliver his verse poems. The unpretentious, short format, requiring immediate delivery, allowed him to be impressionistic and playful, fashioning rhymes as he saw fit.
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