Why Is Bach the GOAT (and Father of Music)?

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Опубликовано 7 июня 2024, 11:00
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Why Is Bach the GOAT (Greatest of All Time) and Father of Music?
Tracklist:

0:00:00 Bach-Gounod - Ave Maria, CG 89a
0:04:43 Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String
Metamorphose String Orchestra, Pavel Lyubomudrov

0:10:33 Goldberg Variations, BWV 988: Aria
0:14:46 The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 1 in C Major, BWV 846
Domonkos Csabay

0:18:59 Cantata BWV 147: Jesu, Joy of Man's Desiring
0:23:16 Cantata BWV 156: I. Sinfonia (Arioso)
Metamorphose String Orchestra, Pavel Lyubomudrov

0:26:48 Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
Massimiliano Martinelli

Brandenburg Concerto No. 3 in G Major, BWV 1048:
0:29:48 I. Allegro
0:35:58 II. Adagio - III. Allegro
Brandenburg Concerto No. 5 in D Major, BWV 1050:
0:42:14 I. Allegro
0:52:10 II. Affettuoso
0:57:31 III. Allegro
Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi

Keyboard Concerto No. 2 in E Major, BWV 1053 (Live):
1:03:08 I. No tempo indication
1:11:05 III. Allegro
Metamorphose String Orchestra, Pavel Lyubomudrov
Piano: Stanislav Soloviev

Brandenburg Concerto No. 1 in F Major, BWV 1046:
1:16:57 I. Allegro
1:20:44 II. Adagio
1:24:28 III. Allegro
1:28:31 IV. Menuetto
Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi

Orchestral Suite No. 2 in B Minor, BWV 1067:
1:34:55 I. Ouverture
1:41:55 II. Rondeau
1:44:00 III. Sarabande
1:48:04 IV. Bourrées I & II
1:50:04 V. Polonaise & Double
1:53:37 VI. Menuett
1:55:13 VII. Badinerie
Budapest Scoring Symphonic Orchestra, Peter Illenyi

Keyboard Concerto No. 1 in D Minor, BWV 1052 (Live):
1:56:46 I. Allegro
2:05:13 II. Adagio
2:12:48 III. Allegro
Metamorphose String Orchestra, Pavel Lyubomudrov
Piano: Stanislav Soloviev

2:21:03 Toccata and Fugue in D Minor, BWV 565
Marcello Rossi

Born in Eisenach, Germany, in 1685, Johann Sebastian Bach came from a 150-year lineage of musicians, so it’s no surprise he became one himself.
He began his career first as a violinist and then as an organist. From 1707 to 1717 he was employed as concertmaster at the ducal court of Wilhelm Ernst of Saxony-Weimar, and he studied the Italian masters Corelli, Albinoni and Vivaldi.
Methodical and pragmatic, he was also quite obstinate and his impetuousness landed him in prison for four weeks when he tried to resign from his post. Not at all discouraged by the situation, during this time he probably started to work on what would later become the monumental ‘The Well-Tempered Clavier’.
From 1717 to 1722, Bach composed the 6 Brandenburg Concertos as well as several sonatas for instruments and suites. In 1723 he began working at a school in Leipzig, a modest and dull job that required him to compose new pieces every week and teach Latin to the pupils. He remained there for 25 years, during which he focused on sacred music. The almost 300 religious pieces he produced notably include the extraordinary Masses and oratorios and the Passion according to Matthew.
A master of counterpoint, harmony, and rhythm, he enriched German styles by fusing them with the musical tradition from the Renaissance and Baroque. The colossal corpus of works of classical music he produced proved an essential inspiration for generations of musicians and composers after him, among which were the likes of Frédéric Chopin, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Robert Schumann.

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